Calendar

“Tomás dominates the stage like never before and when he discusses with the audience what is happening is fantastic.”

“Among the many characters in Shakespeare’s theater, you will find that they seem to be made precisely by Marcel Tomàs and Cascai Teatre. It is these obsessive, grotesque and histrionic characters that we love so much and love so much about each other. Sensitivity, humor, fun and knowledge, both Shakespearean and Cascaian, to free ourselves in a time when we need it so much!”

“Oh, Shakespeare! Who does not know Shakespeare? How many times have they staged, versioned, handcuffed, shuffled, stretched, shortened and muffled poor Shakespeare? Cascai does precisely all this, with complete freedom, emphasizing his” Taratinian “conception of theater, but also poetry, love and, above all, humor. the few ways to die that Shakespeare had not foreseen!”

“Marcel Tomàs is a necessary artist (…) there is no one like him, as far as I know, with such a living capacity for creative ingenuity about things and humans, where the eagerness of his imaginary runs through a wide range of illusory techniques and classic and modern styles that regenerate tradition by expanding its richness.”

“When he wants he can be Tati or de Funes, but in between also Chaplin. The mixture of the 3 geniuses come together with Marcel Tomàs who has been going up to a point that amazes us. Well Marcel!”

“Marcel Tomàs work as a comedian springs from every pore of his skin”

“Marcel Tomàs has become a necessary artist. This looter is simply a fabulous utopian actor, a perfect mime, a unique clown, a modern and delirious clown, an atypical showman, a bewildering singer, a great improviser …, a great villain. In other words, I don’t know how to say it, the embodiment of true generosity paraded on stage.

“Quality and also different theater, where talent and irreverence translate into humor and art. As Kurosawa postulates: in a world of fools, only fools are sensible.”

“Marcel Tomàs (Cascai Teatre) is one of the best clowns in the country. Take that
it’s all ingenuity, histrionics and imagination, it plays a role in the rhythm and interpretation that rubs off on virtuosity, coming and going according to the will of its characters, very funny and truly stunned.”

“Marcel Tomàs, iconoclastic, funny, versatile, beautiful and elegant histrionics always in favor of the most sincere laughter. But it must be admitted that this unbridled pillar reaches the bottom of the soul with a good critical flash. And it is that the apparent naivete is full of irony, because the bad drool has a root of primary sensitivity. A great showman borrows everything unimaginable through the enormous talent of this atypical and versatile villain.”