History, on sparkles surrealist, enough proxim to the absurd theater of and the largely near ones a somewhat black humor, counts on certain findings exceptionals, as a whole, it entertains, it amuses and it constitutes interesting demostration of expresivity and talent."
FRANCES M.ROGER. DIARI OF MALLORCA
(…) facility of Marcel Tomàs to gesture, to make mimica, to contortion the body and the gesture, to make of the face expression an authentic humorous language, is fabulous. It uses the word although almost it does not need it (…) Ingenious, descriptive, doubtful, tremulous, behaved shamelessly, suggestive, challenging, touching clown, … All this and much more is east personage."
DIARI OF BALEARS.
"Through the word and the gesture, obtains to make visible what is invisible and present what misses (...) by purely theatrical Magie (...) enormous talent interpretative, (...) complete spectacle"
FERNANDO ANDÚ. HERALDO DE ARAGÓN.
Amusing and curious monolog that, far from falling in the topics, is totally innovative "
ASSUMPTA PÉREZ. REGIÓ 7.
Ingenious and simple text of Susana Lloret and the actor Marcel Tomàs. It purified interpretive elaboration. They are thanked the good flavor and the sobriety of this individual one that ratifies the sense of the full, Catalonian humor of intelectualitie."
GRAMMA (PERÍDICO DE CUBA), AMADO DEL PINO.
The solitary humor is a collective pleasure. (...) Marcel Tomàs is already a clown with all those of the law. Has a good control of the body, on the one that structure some of the better gags. "
EL PAÍS, PABLO LEY.
"Excellent .(...) Of course, the laughter with the ones that the public marks all the piece are test of a very serious work, of notable effort and more than successful conclusion. Naturally that all it would not be sufficient without a good dose of genius. And there are it, mercy al kind: the absurd one. To emphasize the ability with which an exacting corporal work qualifies a common work of places and done phrases that come to emphasize more the irrational thing of the joint "
NATÀLIA MOLERO. LA VANGUARDIA.
" L'Home Incomplet is a monolog starred in by a clumsy individual, well combed, that is found in a theater by chance (...) From this anecdotal fact, all a universe of humorous fantasies, (...) covered with a large quantity of gestures and movements of a good funny projection, will go entangling the things. All with a good color with a series of complicities with the public, you determined by the space, is this 15 percent of improvisation that is notified us that exists in the spectacle. Fact with a great deal of care, since a full language of coloquialismos and dialectalismos
Tomàs, in final, is a good actor that has the ability to be entangled in a very good way.
EL PUNT. PEP MARTORELL.
The king of the Marathon went without doubt the theater, that wagered b by the humor i the originality, (...) Cia. La Fortalesa start sonorous smiles and unconditional applauses. "
El PERIODICO.
It works in key of humor and own creation, based on work of actor and in his capacity to seduce the spectators, the action is partially improvised."
DIARI DE GIRONA.
A monolog that a work of text is comprised of, a direct monolog to the public,, (...) Some laughters that by force of faces, gestures and a brilliant text (...) It seeks the complicity of the spectator, with small anecdotes and histories to which more amusing (...)."
L'ENLLAÇ, J.F. FITÓ.
